This series of analog and digital collages explores themes of media fragmentation, memory, identity, and socio-political absurdity. By repurposing archival imagery, vintage advertisements, scientific diagrams, and magazine ephemera, I aim to construct surreal narratives that challenge perception and reframe cultural memory.

Each composition is a tension-filled playground of juxtaposition, humor, and critique, reflecting how modern consciousness is shaped by fractured visual inputs and inherited ideologies. Whether humorous, disturbing, or poetic, the works are unified by a shared visual language of cut-paper layers, stark contrast, and experimental composition.